Circkool

Book 1 · Dark Fantasy

Circkool

Place Without Shadows

Dark fantasy about the longing to belong somewhere, and the price no one names.

Book 1 is out now

27 nights until full moon
Cover: Circkool, Book 1, Place Without Shadows
Book 1 · Cover

I · The Book

Place Without Shadows

On the banks of the Rhine in Bonn, Germany, stands a circus that shouldn’t exist. No city map shows it. The ravens on its masts don’t take flight when you come near. And the ringmaster looks exactly the same in a program from 1998 as he does today.

Fero “Feo” Aren is seventeen, and he knows the word the world has for people like him: madness. At Circkool, no one asks about it. Here there are others like him. Here, for the first time, he sleeps without fear.

But once a month, the moon is full.

And once a month, someone leaves the circus.

The others call it luck. The ringmaster calls it graduation. No one ever comes back, and no one asks where they went.

Until Feo finds a door in the waters of the Rhine, one that exists only in the reflection. Behind it lies a gray without light, and in that gray stand jars that glow.

At the next full moon, it’s a girl no one will ask about.

Feo will be the first to ask.

Series
Circkool, book 1 of 4
Genre
Dark fantasy
Length
about 86,500 words
Language
English; also in German (“Ort ohne Schatten”)
Reading age
14 and up
Content notes

These notes cover the whole of book 1 and may give away twists, so they only open when you click.

  • Manipulation and emotional abuse by a trusted adult
  • Exploitation of vulnerable teenagers
  • Death
  • Loss of a loved one and grief
  • Loss of memory and identity
  • Mental health crisis, psychiatric hospitalization and misdiagnosis
  • Stigma and exclusion
  • Family conflict, estrangement and parental rejection
  • Betrayal
  • Violence, not graphically depicted
  • Body horror and physical pain
  • Blood and injuries
  • Strong language

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II · The World

Behind the willow, the air shimmers.

Motif: willow on the Rhine bank, mist over the water

Scene 1 · The Rheinaue

The old willow

Branches like fingers in the water. Above them the air flickers as it does over hot asphalt, only it is cold. Whoever walks through hears the reeds rustle, though there is no wind.

Scene 2 · The Tent

Black, with silver

A tent of black cloth, its lettering flaking. The curtains hang half open, as if someone had just looked out. Inside it smells of sawdust and old wood and of something waiting.

Motif: wagons in a half circle, half-lit strings of lights

Scene 3 · The Wagons

Wheels grown into the earth

Wagons in a half circle, strings of lights between them, only half of them ever lit. One smells of caramel. In front of another, a plate sits on the step.

»No one asks you who you are. That is not politeness.«

III · The Residents

Tonight’s program

Abilities that have no names outside.

Fero »Feo« Aren
No. I 17 years

Fero »Feo« Aren

Illusion weaving

The »Pictureman«. Taciturn, watchful, dry dark humor. Anger that breaks through without warning.

»What’s in the forbidden wagon?«

Dorian Winters
No. II Older than he should be

Dorian Winters

Ringmaster

Tall, slender, dressed in black. A warm smile, a notebook and a hat he never puts on.

»Older than I look. Younger than the contracts say.«

Rian Wilk
No. III 17 years

Rian Wilk

Metamorphosis

The funny one. Forces his body into shapes. Baggy sweaters, wisecracks, nicknames. Behind the joke, the pain.

»You’re good, Pictureman.«

Bria Ginaya
No. IV 16 years

Bria Ginaya

Pyrokinesis

Loud, cheeky, swears. The protector of the group.

»Then we have to.«

Celine Marek
No. V 16 years

Celine Marek

Shadow manipulation

Few words. Every one of them lands.

»Sometimes, it’s like something’s counting.«

Aria Delmaris
No. VI 17 years

Aria Delmaris

Weather empathy

Feels the weather before it comes, and the weather in people. Matter-of-fact, direct.

»Wind today. Around four. Off the river.«

Ilias Delmaris
No. VII 15 years

Ilias Delmaris

Gravity manipulation

Aria’s brother. Makes things lighter or heavier. Deadly serious.

»Close to Winters’s wagon, gravity is different.«

Damian Keller
No. VIII 18 years

Damian Keller

Voice manipulation

His voice draws people in, and he hears every lie. Theatrical, precise, dry.

»That’s my insurance. Easier living, with insurance.«

Marius Schwarzberg
No. IX 18 years

Marius Schwarzberg

Precognition

Sees two tomorrows at once. Tired, absent.

»Mostly, it means: someone makes a choice.«

Edwin »Ed« Belov
No. X 19 years

Edwin »Ed« Belov

Electrokinesis

From Saint Petersburg. Hardly a word, hands that always want to fix something.

»The bird’s crazy.«

Vanessa Vogel
No. XI 45 years

Vanessa Vogel

Housekeeper

Friendly, practical and strangely empty.

»Make sure you come back.«

Pepper, an African gray parrot with a red tail, on a perch in the kitchen wagon, fog over the Rhine outside
No. XII · African gray parrot

Pepper

Says sentences he cannot have heard.

»The jar is full.«

Kies, an old shepherd dog with a gray muzzle, lying on the gravel in front of a wagon
No. XIII · Shepherd dog

Kies

Old and gray. Never crosses an invisible line.

This far. Never further.

A raven with a white flight feather in its wing sits on a wagon roof, the Rhine meadows in the morning haze behind it
No. XIV · Raven

The one with the white feather

One of the nine ravens on the tent poles. A single white flight feather, bright as a chalk line.

Does not fly up when someone comes.

IV · The Shelf

Behind the forbidden door

Every jar has a little label. None has a name you know.

»Don’t touch. Just look.«

V · The Series

Four books. One stands in the light.

Cover of book 1
Book 1

Place Without Shadows

Available
Cover of book 2, in shadow
Book 2

Light Without Breath

In preparation
Book 3

· · ·

In shadow
Book 4

· · ·

In shadow
Portrait of F. Eren

VI · Author

F. Eren

F. Eren writes dark fantasy in which safety is more dangerous than violence. Circkool is his debut and the start of a series. Born in Bonn, he moved to Düsseldorf for work at twenty-three and still lives and works there. He writes at night, because sentences are too polite by day.

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